As the Greek theater, cathedrals, and opera did before, Viola as a "postmodern humanist" or "neo-romantic idealist", intends to propose a totalizing vision of the world, a closed and complete philosophical system, using the intellectual reflections around of art, religion, philosophy and the psychology of perception, merging them into a complex technological and scientific framework for the achievement of the "total work of art". In short, memory, spirituality and time are the immaterial components with which Viola nourishes videographic technology and science, to make and capture her postmodern iconographic transgression; transgression whose axis is the aquatic symbology.... [Leer más...]