NAGIOS: RODERIC FUNCIONANDO

ENTREACTO / ENTR?ACTE Un film / A Film Chopin y los Sand, amor a cuatro bandas. Aproximación a la esfera privada de Fryderyk Chopin a partir de la película Pragnienie Mi?o?ci

DSpace Repository

ENTREACTO / ENTR?ACTE Un film / A Film Chopin y los Sand, amor a cuatro bandas. Aproximación a la esfera privada de Fryderyk Chopin a partir de la película Pragnienie Mi?o?ci

dc.contributor.author	Estrany, Joan	es
dc.date.accessioned	2021-12-23T12:21:28Z
dc.date.available	2021-12-23T12:21:28Z
dc.date.issued	2021	es
dc.identifier.uri	https://hdl.handle.net/10550/81182
dc.description.abstract	Two centuries later, the legend Chopin-Sand continues to supply the collective imaginary with vague readings, where historical truthfulness, let alone musical truth, is often contingent on the literary. The much discussed and bellicose romance between the Polish composer and the French novelist, George Sand, tends to some reductionism and evades an obvious reality: Fryderyk Chopin meets George Sand when she was already the mother of two children. This circumstance suggests reformulating certain romantic stereotypes. Jerzy Antczak?s biographical film Pragnienie Mi?o?ci (Chopin: Desire for Love, 2002) does not overlook this detail and makes it one of its narrative axes. The relationship between the pianist and the Sands (George, Maurice, and Solange) lasted 15 years and, according to the feature film, the presence of the pianist did not go unnoticed by the children of Chopin?s protector and lover, Sand. Chopin?s private life and sexual appetites or abstinences are not openly addressed, but the film does invite reflection on his private sphere about the trip to Mallorca and the stays in Nohant. Nothing suggests the musician?s homosexuality, but certainly nothing rules it out.	es
dc.source	Estrany, Joan. ENTREACTO / ENTR?ACTE Un film / A Film Chopin y los Sand, amor a cuatro bandas. Aproximación a la esfera privada de Fryderyk Chopin a partir de la película Pragnienie Mi?o?ci. En: Itamar, revista de investigación musical: territorios para el arte, 7 2021: 476-488	es
dc.subject	2386-8260 13268 Itamar	es
dc.subject	revista de investigación musical: territorios para el arte 590908 2021 7 8182077 ENTREACTO / ENTR?ACTE Un film / A Film Chopin y los Sand	es
dc.subject	amor a cuatro bandas. Aproximación a la esfera privada de Fryderyk Chopin a partir de la película Pragnienie Mi?o?ci Estrany	es
dc.subject	Joan Two centuries later	es
dc.subject	the legend Chopin-Sand continues to supply the collective imaginary with vague readings	es
dc.subject	where historical truthfulness	es
dc.subject	let alone musical truth	es
dc.subject	is often contingent on the literary. The much discussed and bellicose romance between the Polish composer and the French novelist	es
dc.subject	George Sand	es
dc.subject	tends to some reductionism and evades an obvious reality: Fryderyk Chopin meets George Sand when she was already the mother of two children. This circumstance suggests reformulating certain romantic stereotypes. Jerzy Antczak?s biographical film Pragnienie Mi?o?ci (Chopin: Desire for Love	es
dc.subject	2002) does not overlook this detail and makes it one of its narrative axes. The relationship between the pianist and the Sands (George	es
dc.subject	Maurice	es
dc.subject	and Solange) lasted 15 years and	es
dc.subject	according to the feature film	es
dc.subject	the presence of the pianist did not go unnoticed by the children of Chopin?s protector and lover	es
dc.subject	Sand. Chopin?s private life and sexual appetites or abstinences are not openly addressed	es
dc.subject	but the film does invite reflection on his private sphere about the trip to Mallorca and the stays in Nohant. Nothing suggests the musician?s homosexuality	es
dc.subject	but certainly nothing rules it out. 476 488	es
dc.title	ENTREACTO / ENTR?ACTE Un film / A Film Chopin y los Sand, amor a cuatro bandas. Aproximación a la esfera privada de Fryderyk Chopin a partir de la película Pragnienie Mi?o?ci	es
dc.type	info:eu-repo/semantics/article	en
dc.type	info:eu-repo/semantics/publishedVersion	en
dc.subject.unesco	UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS	es
dc.identifier.doi		es