IMPORTANT: El repositori està en manteniment des del dia 28 de Novembre fins al 4 de Desembre, només es pot consultar, però no afegir contingut. Disculpeu les molèsties
Katabasis in Rupert Goold's Macbeth (BBC, 2010): Threshold-Crossing, Education, Shipwreck, Visionary and Trial Katabatic Experiences
Show full item record
View
(349.9Kb)
|
|
|
|
|
|
Huertas Martín, Víctor
|
|
This document is a artículoDate2018
|
|
|
|
Rupert Goold's stage production of Macbeth opened at the Minerva Theatre in Chichester, went to the Gielgud Theatre (London) and toured to the Harvey Theater in New York (2007-2008) before, in 2010, BBC, PBS and Illuminations Media turned it into a TV film.1 Set in a twentieth-century regime displaying the iconography of Stalin's dictatorship, Anthony Ward's decor was "confined within a windowless basement kitchen, perhaps a few tiers above hell" (Nicholas De Jongh). Unsurprisingly, several reviewers compare these aspects of the scenography with a living hell. However, the recording turned those hellish textures into a dominant motif. |
|
Ver en el catálogo Trobes
|
This item appears in the following Collection(s)
Show full item record
Search DSpace
Browse
-
All of DSpace
-
This Collection
Statistics