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Alegoría y Trauerspiel

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dc.contributor.author	Fernández Orrico, Jesús	es
dc.date.accessioned	2015-04-16T11:20:15Z
dc.date.available	2015-04-16T11:20:15Z
dc.date.issued	2012	es
dc.identifier.citation	Fernández Orrico, Jesús. Alegoría y Trauerspiel. En: Quaderns de Filosofia i Ciència, 2012, No. 42: 57	es
dc.identifier.uri	http://hdl.handle.net/10550/43165
dc.description.abstract	The author analyzes the characteristics of the allegory that Baltasar Gracián unfolds widely in the work The Criticón establishing interesting comparisons with the allegory notion that Walter Benjamin develops in his book Ursprung des deutschen Trauerspiels. The open defense that Benjamin makes of the calderonian theater front to german Trauerspiel allows to extend this defense not only to the baroque development of the allegory like expression but to other aspects like the immanent moral, the dialectic one of the theatricality, the temporality or the mystification in the opus magna of Gracián.	en_US
dc.subject	Hª y Fª de la Ciencia	es
dc.subject	Ciencias básicas y experimentales	es
dc.subject	Filosofía. Etica	es
dc.subject	Humanidades	es
dc.title	Alegoría y Trauerspiel	es
dc.type	journal article	es_ES
dc.subject.unesco	UNESCO::FILOSOFÍA	es
dc.type.hasVersion	VoR	es_ES